Political activism in North American performative poetryFrom Walt Whitman to Allen Ginsberg

  1. Ortiz Barroso, Elisa
unter der Leitung von:
  1. Eusebio de Lorenzo Gómez Doktorvater

Universität der Verteidigung: Universidad Complutense de Madrid

Fecha de defensa: 22 von Oktober von 2021

Gericht:
  1. Isabel Durán Giménez-Rico Präsidentin
  2. Carmen Méndez García Sekretärin
  3. Cristina Alsina Rísquez Vocal
  4. Rodrigo Andrés Vocal
  5. Eulalia Piñero Gil Vocal
Fachbereiche:
  1. Estudios Ingleses: Lingüística y Literatura

Art: Dissertation

Zusammenfassung

This dissertation has its first prompt in the common scholarly association between the two American poets Walt Whitman and Allen Ginsberg, who vindicated the oral character of poetry as an alternative path for political activism. The nationally tense historical moments they lived (Civil War, McCarthyism, Vietnam War) made them conceive their writing as a shortcut for the citizens’ complete emancipation within democracy. Both founded their ideas in the romantic conception of language, defined in literary theory by Jacques Derrida as pneumological and phonocentrist: it is in oral language and speech where the pure form of communication, the true meaning of what is said, resides. In poetry, these two authors find the key to fight, through a speech-based poetics, an alternative against the corrupted logocracy of the State. Thus, within the framework of their own political career as Americans, who came to exist with a speech act (the Declaration of Independence), Whitman and Ginsberg aim to point at and inaugurate from the performative act both the poet and the new and alternative nation.