Sitcoms familiares estadounidenses en España (1990-2005)el efecto de la nostalgia en la teoría del cultivo

Referencias bibliográficas

• ABC. (1993, abril 6). Telecinco modifica su programación infantil en Semana Santa. ABC.
• ABC. (1994, agosto 25). Matrimonio con saña. ABC.
• ABC. (1999, febrero 1). Los jóvenes se quejan de la mala calidad de la programación. ABC.
• Álvarez Berciano, R. (1991, diciembre 29). "Tócala otra vez, Sam" Las cadenas reponen viejos éxitos para cubrir su programación. El País. Recuperado de: https://elpais.com/diario/1991/12/29/radiotv/693961202_850215.html
• Ambruster, S. (2016). Watching nostalgia: An analysis of nostalgic television fiction and its reception. Transcript Verlag.
• Andreasen, M. S. (2001). Evolution of the family's use of television: An Overview. En J. Bryant & J. Alison Bryant (Eds.). Television and the American family (pp. 3-30). Routledge.
• Baltanás, R., Redondo, J., & Mercero, I. (Productores ejecutivos). (2008-2011). Física o química [Serie de Televisión]. Antena 3 Televisión; Ida y Vuelta P.F.
• Barra, L. & Scaglioni, M. (Eds.) (2021). A European Television Fiction RenaissancePremium Production Models and Transnational Circulation. Routledge.
• Belzberg, L., & Landis, J. (Productores ejecutivos). (1997-2000). Honey, I Shrunk the Kids [Cariño, he encogido a los niños] [Serie de Televisión]. Plymouth Productions; St. Clare Entertainment; Walt Disney Television.
• Benítez, C., & Morant, M. (Productores ejecutivos). (1997-2002). Al salir de clase [Serie de Televisión]. Boca Televisión S.A.; Boca a Boca; Bocaboca Producciones; Estudios Picasso; Telecinco.
• Bickley, W., Boyett, R. L., Miller, T. L., Warren, M., & Duclon, D. W. (Productores ejecutivos). (1989-1998). Family Matters [Cosas de casa] [Serie de Televisión]. Bickley-Warren Productions; Lorimar Television; Miller/Boyett Productions; Warner Bros. Television.
• Bickley, W., Boyett, R. L., Miller, T. L., & Warren, M. (Productores ejecutivos). (1990-1991). The Family Man [Un hombre de familia] [Serie de Televisión]. Miller/Boyett Productions; Lorimar Television; Catalina Productions.
• Bilandzic, H. (2006). The perception of distance in the cultivation process: a theoretical consideration of the relationship between television content, processing experience and perceived distance. Communication Theory, 16 (3), 333-355. https://doi.org/10.1111/j.1468-2885.2006.00273
• Boelman, S. M., Zimmerman, T. S., Matheson, J. L., & Banning, J. (2010). Couple interactions as portrayed in television comedy series. Journal of Couple & Relationship Therapy, 9(3), 223-238. https://doi.org/10.1080/15332691.2010.491785
• Boomer, L. (Productor ejecutivo). (2000-2006). Malcolm in the Middle [Malcolm] [Serie de Televisión]. Satin City Productions; New Regency Productions; 20th Century Fox Television.
• Boym, S. (2001). The future of Nostalgia. Basic Books.
• Bryant, J., & Miron, D. (2002). Entertainment as media effect. En J. Bryant & D. Zillmann, (Eds.). Media effects: advances in theory and research (pp. 549-582). Lawrence Erlbaum Associates.
• Callister, M. A., Robinson, T., & Bradley, C. (2007). Media portrayals of the family in children’s television programming during the 2005-2006 season in the US. Journal of Children and Media, 1(2), 142-161. https://doi.org/10.1080/17482790701339142
• Callejo, J. (1996). Audiencias activas. Telos, 44 (4), 121-13.
• Cantor, M.G. (1990). Prime-time fathers: A study in continuity and change. Critical Studies in Mass Communication, 7 (3), 275-285. https://doi.org/10.1080/15295039009360179
• Capice, P., Rich, L., & Adelson, M. (Productores ejecutivos). (1977-1981). Eight Is Enough [Con ocho basta] [Serie de Televisión]. Lorimar Productions.
• Carsey, M., Mandabach, C., Turner, B., Turner, T., Werner, T. & Boomer, L. (Productores ejecutivos). (1996-2001). 3rd Rock from the Sun [Cosas de marcianos] [Serie de Televisión]. Carsey-Werner Company; YBYL Productions.
• Carsey, M., Werner, T., Leahy, J., & Kukoff, B. (Productores ejecutivos). (1984-1992). The Cosby Show [La hora de Bill Cosby] [Serie de Televisión]. Bill Cosby; Carsey-Werner Company.
• Chicharro, M., & Gil, F. (2020). La llegada de los canales privados en el imaginario de los espectadores: Recuerdos y nostalgia de aquella televisión (1990-2000). Estudios sobre el Mensaje Periodístico, 26 (2), 461-472. https://doi.org/10.5209/esmp.67785
• Comstock, J., & Strzyzewski, K. (1990). Interpersonal interaction on television: Family conflict and jealousy on primetime. Journal of Broadcasting & Electronic Media, 34(3), 263-282. https://doi.org/10.1080/08838159009386742
• Coston, S., De Passe, S., Hawkins, R., Pollack, B., Rich, M., Rosen, S., Ray, L., & Simon, D. S. (Productores ejecutivos). (1994-1999). Sister, Sister [Cosas de hermanas] [Serie de Televisión]. De Passe Entertainment; Paramount Pictures.
• Coston, S., De Passe, S., & Kallis, D. (Productores ejecutivos). (1997-1999). Smart Guy [Este chico es un genio] [Serie de Televisión]. Danny Kallis Productions; De Passe Entertainment; Walt Disney Television.
• Dail, P. W., & Way, W. L. (1985). What do parents observe about parenting from prime time television. Family Relations, 34 (4), 491-499. https://doi.org/10.2307/584009
• Davis, L. (2003). Cultural proximity on the air: National and regional television outperforms imported US programming. En M.G. Elasmar (Ed.). The impact of international television: a paradigm shift (pp. 111-131). Lawrence Erlbaum Associates.
• Dhoest, A. (2007). Nostalgic memories. Qualitative reception analysis of Flemish TV fiction, 1953–1989, 32 (1), 31-50. https://doi.org/10.1515/COMMUN.2007.002
• Doob, A. N., & Macdonald, G. E. (1979). Television viewing and fear of victimization: is the relationship causal? Journal of Personality and Social Psychology, 37 (2), 170-179. https://doi.org/10.1037/0022-3514.37.2.170
• Dorr, A. (1986). Television and children: A special medium for a special audience. Sage.
• Dorr. A., Kovaric, P., & Doubleday, C. (1990). Age and content influences on children's perception of the realism of television families. Journal of Broadcasting & Electronic Media, 34 (4), 377-397. https://doi.org/10.1080/08838159009386751
• Douglas, W., & Olson, B. M. (1995). Beyond family structure: The family in domestic comedy. Journal of Broadcasting & Electronic Media, 39 (2), 236-261. https://doi.org/10.1080/08838159509364301
• Drescher, F., Jacobson, P. M., Fraser, P., Sternin, R., Wilk, D., & Lipman, D. (Productores ejecutivos). (1993-1999). The Nanny [La niñera] [Serie de Televisión]. CBS; Echelon Productions, Inc.; Highschool Sweethearts; Sternin & Fraser Ink; TriStar Television.
• Duclon, D. W. (Productor ejecutivo). (1984-1988). Punky Brewster [Serie de Televisión]. Coca-Cola Telecommunications; Lightkeeper Productions; NBC Productions.
• Dungan, F., Stein, J. & Sheehan, T. (Productores ejecutivos). (1985-1990). Mr. Belvedere [Serie de Televisión]. 20th Century Fox Television; Lazy B / F.O.B. Productions.
• Fitzpatrick, M. A., & Badzinski, D. M. (1985). All in the family: Interpersonal communication in kin relationships. En M. L. Knapp & G. R. Miller (Eds.). Handbook of interpersonal communication (pp. 687-736). Sage.
• Franklin, J., Boyett, R. L., Miller, T. L., Rinsler, D., & Warren, M. (Productores ejecutivos). (1987-1995). Full House [Padres forzosos] [Serie de Televisión]. Jeff Franklin Productions; Lorimar Telepictures; Lorimar Television; Miller/Boyett Productions; Warner Bros. Television.
• Gerbner, G. (1986). Living with television: the dynamics of the cultivation process. En J. Bryant & D. Zillmann (Eds.). Perspectives on media effects (pp.17-40). Lawrence Erlbaum Associates.
• Gerbner, G., Gross, L., Morgan, M., Signorielli, N., & Shanahan, J. (2002). Growing up with television: cultivation processes. En J. Bryant y D. Zillmann (Eds.), Media effects: advances in theory and research (pp. 43-67). Lawrence Erlbaum Associates.
• Glennon, L. & Butsch, R. (1982). The family as portrayed on television, 1946-1978. En D. Pearl, L. Bouthilet & J.B. Lazar (Eds.). Television and behavior: ten years of scientific progress and implications for the eighties (pp. 264-271). files.eric.ed.gov/fulltext/ED228979.pdf#page=272
• Goldberg, G. D. (Productor ejecutivo). (1982-1989). Family Ties [Enredos de familia] [Serie de Televisión]. Paramount Television; Ubu Productions.
• Greenberg, B. S., Hines, M., Buerkel-Rothfuss, N. & Atkin, C.K. (1980). Family role structures and interactions on commercial television. En B. S. Greenberg (Ed.). Life on television: content analyses of U.S. TV drama (pp.149-160). Ablex.
• Gunther, L. & Loesch, M. (Productores ejecutivos). (1983-1985). Dungeons & Dragons [Dragones y mazmorras] [Serie de Televisión]. Marvel Productions; Dungeons & Dragons Entertainment Corporation; TSR.
• Hellbom, O. (Director). (1969). Pippi Långstrump [Pippi Calzaslargas] [Serie de Televisión]. Beta Film; Hessischer Rundfunk; Iduna Film Produktiongesellschaft; Nord Art; Svensk Filmindustri; Sveriges Radio.
• Hetsroni, A., Elphariach, H., Kapuza, R., & Tsfoni, B. (2007). Geographical proximity, cultural imperialism and the cultivation effect. Communication Monographs, 74 (2), 181-199. https://doi.org/10.1080/03637750701390077
• Jacobs, M. (Productor ejecutivo). (1991-1992). The Torkelsons [La familia Tórkelson] [Serie de Televisión]. Walt Disney Television.
• Johnson, B., Brunner, B., Hecht, K., D'Angelo, W. P., Silver, S., Collins, J. B., & Raznick, D. (Productores ejecutivos). (1983-1989). Webster [Serie de Televisión]. Emmanuel Lewis Entertainment Enterprises; Georgian Bay Productions; Paramount Television.
• Jones, Q., Borowitz, A., Borowitz, S., Miller, G. H., Hervey, W., Wendle, K., & Smith, W. (Productores ejecutivos). (1990-1996). The Fresh Prince of Bel-Air [El príncipe de Bel-Air] [Serie de Televisión]. NBC Productions; Quincy Jones Entertainment; Quincy Jones-David Salzman Entertainment; The Stuffed Dog Company.
• Katz, J. (Productor ejecutivo). (2001-2002). Raising Dad [Un padre en apuros] [Serie de Televisión]. Albion Productions; Paramount Network Television.
• Kelly, K. (2020). Channel Surfing: Roseanne Meets Archie. New Labor Forum, 29(2), 78–85. https://doi.org/10.1177/1095796020914982
• Leeds, H. (Productor ejecutivo). (1985-1989). Small Wonder [Un robot en casa] [Serie de Televisión]. The Small Wonder Joint Venture; 20th Century Fox Television; Metromedia Producers Corporation; Metromedia Video Productions.
• Leppert, A. (2019). TV Family Values: Gender, Domestic Labor, and 1980s Sitcoms. Rutgers University Press.
• Los Chiripitifláuticos [Programa de Televisión]. (1966-1974). TVE1.
• McRaney, G., Pomerantz, E., Hawkins, R., & Okie, R. C. (Productores ejecutivos). (1989-1993). Major Dad [Papá comandante] [Serie de Televisión]. S.B.B. Productions; Spanish Trail Productions; Universal Television.
• Meyer, A. (2021). Television, Ethnicity, and Social Change: Bill Dana, from Jose Jimenez to Sammy Davis, Jr. The Journal of Popular Culture, 54(3), 534-551. https://doi.org/10.1111/jpcu.13028
• Mitsunobu, H. (Director). (1983-1995). Kyaputen Tsubasa [Campeones: Oliver y Benji] [Serie de Televisión]. TV Tokyo; Toei Animation; Tsuchida Production.
• Montero-Díaz, J. (2022). Introducción. Historia de la nueva televisión: evolución y novedad. En Montero-Díaz, J., Paz, M.A. y Lacalle, C. (Eds.). La edad dorada de la televisión generalista en España (1990-2010). Programas y programaciones (pp. 27-40). Tirant Humanidades.
• Moore, M. L. (1992). The family as portrayed on prime-time television, 1947–1990: Structure and characteristics. Sex Roles, 26, 41-61. https://doi.org/10.1007/BF00290124
• Morgan, M., Legget, S., & Shanahan, J. (1999). Television and Family Values: Was Dan Quayle Right?. Mass Communication and Society, 2(1-2), 47-63. https://doi.org/10.1080/15205436.1999.9677861
• Moye, M. G., & Leavitt, R. (Productores ejecutivos). (1987-1997). Married with Children [Matrimonio con hijos] [Serie de Televisión]. Embassy Television; ELP Communications; Columbia Pictures Television.
• Paz, M. A., & Martínez, L. (2014). Children’s programming on Televisión Española under Franco (1958-1975). European Journal of Communication, 24 (4), 465-479. https://doi.org/10.1177/0267323114530359.
• Paz, M. A., & Mateos-Pérez, J. (2016). The Impact of Political Transition (1976-1982) on Spanish Television for Children and Young People. Television and New Media, 17 (4), 308-323. https://doi.org/10.1177/1527476415610005.
• Piper, H. (2011). Vintage entertainment: Nostalgia, the archive and the disappearing pleasures of collective television viewing. Journal of British Cinema and Television, 8 (3), 411- 429. https://doi.org/10.3366/jbctv.2011.0047
• Potter, J. (2014). A critical Analysis of Cultivation Theory. Journal of Communication, 64 (6), 1015-1036. https://doi.org/10.1111/jcom.12128
• Prado, E., & Delgado, M. (2010). La televisión generalista en la era digital. Tendencias internacionales de programación. Telos. 84, 52-64.
• Reimers, V.A. (2003). American Family TV Sitcoms. The Early Years to the Present: Fathers, Mothers, and Children—Shifting Focus and Authority. Cercles, 8, 114-121.
• Ríos San Martín, M., Vidal, C., Valdivia, M., & Bueno, N. (Productores ejecutivos). (1998-2002). Compañeros [Serie de Televisión]. Factoria de Ficcion; Globomedia.
• Russell, C., Norman, A., & Heckler, S. (2004). People and “their” television shows: An overview of television connectedness. En L.J. Shrum (Ed.). Psychology of entertainment media: blurring the lines between entertainment and persuasion (pp. 275-290). Lawrence Erlbaum Associates.
• Scharrer, E. (2001). From wise to foolish: The portrayal of the sitcom father, 1950s-1990s. Journal of Broadcasting & Electronic Media, 45(1), 23-40. https://doi.org/10.1207/s15506878jobem4501_3
• Scharrer, E., Warren, S., Grimshaw, E., Kamau, G., Cho, S., Reijven, M., & Zhang, C. (2021). Disparaged dads? A content analysis of depictions of fathers in U.S. sitcoms over time. Psychology of Popular Media, 10(2), 275-287. https://doi.org/10.1037/ppm0000289
• Schwartz, S. (Productor ejecutivo). (1969-1974). The Brady Bunch [La tribu de los Brady] [Serie de Televisión]. Paramount Television; Redwood Productions; American Broadcasting Company.
• Shrum, L.J. (2002). Media consumption and receptions o social reality: effects and underlying processes. En J. Bryant y D. Zillmann (Eds.). Media effects: advances in theory and research (pp. 69-95). Lawrence Erlbaum Associates.
• Shrum, L.J. (2004). The cognitive processes underlying cultivation effects are a function of whether the judgments are on-line or memory-based. Communications, 29(3), 327-344. https://doi.org/10.1515/comm.2004.021
• Signorielli, N., & Morgan, M. (2001). Television and the family: The cultivation perspective. En J. Bryant & J. Alison Bryant (Eds.). Television and the American family (pp. 333-351). Routledge.
• Skill, T., Robinson, J., & Wallace, S. (1987). Portrayal of Families on Prime-time TV: Structure, Type and Frequency. Journalism Quarterly, 64(2-3), 360-398. https://doi.org/10.1177/107769908706400211
• Skill, T., & Wallace, S. (1990). Family interactions on prime-time television: A descriptive analysis of assertive power interactions. Journal of Broadcasting & Electronic Media, 34(3), 243-262. https://doi.org/10.1080/08838159009386741
• Spelling, A., Vincent, E. D., South, F., & Star, D. (Productores ejecutivos). (1992-1999). Melrose Place [Serie de Televisión]. Darren Star Productions; Fox Television Network; Spelling Television; Torand Productions.
• Sullivan, M., Guntzelman, D., Marshall, S., Wilcox, D., & Marlens, N. (Productores ejecutivos). (1985-1992). Growing Pains [Los problemas crecen] [Serie de Televisión].
• Guntzelman-Sullivan-Marshall Productions; Warner Bros. Television.
• Waigner, P., Spelling, A., Klein, J., Wasserman, S., Vincent, E. D., Star, D., Rosin, C., Eisendrath, J., & Braverman, M. (Productores ejecutivos). (1990-2000). Beverly Hills, 90210 [Sensación de vivir] ] [Serie de Televisión]. 90210 Productions; Fair Dinkum Productions; Propaganda Films; Spelling Television; Torand Productions.
• Weiss, A. J., & Wilson, B. J. (1996). Emotional portrayals in family television series that are popular among children. Journal of Broadcasting & Electronic Media, 40(1), 1-29. https://doi.org/10.1080/08838159609364330
• Wiscombe, S. A. (2014). Family Ties: A profile of Television Family Configurations, 2004-2013. [Tesis de máster]. Brigham Young University.
• Zillmann, D. (2002). Exemplification theory of media influence. En J. Bryant & D. Zillmann (Eds.), Media effects: advances in theory and research (pp. 19-42). Lawrence Erlbaum Associates.