¿Víctima, seductora o verdugo? El reciclaje ambiguamente feminista de Caperucita Rojade Charles Perrault a la cultura pop contemporánea

  1. Carrasco Yelmo, Silviano 1
  1. 1 Universidad Complutense de Madrid
    info

    Universidad Complutense de Madrid

    Madrid, España

    ROR 02p0gd045

Revista:
Impossibilia

ISSN: 2174-2464

Año de publicación: 2024

Título del ejemplar: Reescrituras y reciclajes feministas en la literatura y las artes contemporáneas / Feminist Rewritings and Recyclings in Contemporary Literature and Arts

Número: 27

Páginas: 64-85

Tipo: Artículo

DOI: 10.30827/IMPOSSIBILIA.272024.29866 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Impossibilia

Resumen

Caperucita Roja es posiblemente uno de los cuentos de hadas más famosos del mundo. El cuento se ha interpretado tradicionalmente como una experiencia de aprendizaje freudiano (Bettelheim, 1976) y tanto su carácter popular como su simpleza narrativa permitieron que el célebre Umberto Eco lo utilizara como parábola de los límites de la interpretación (Eco, 1994). Este artículo examinará el proceso de reciclaje que ha sufrido el cuento desde Charles Perrault hasta nuestros días, pasando por diferentes medios como el cómic, películas, animes o canciones de finales del siglo XX a comienzos del XXI. Se estudiarán las estrategias que tienen lugar para volver a contar el cuento y reciclarlo sobre todo en la cultura pop (ya sea desde un punto de vista estructural o bajo un nuevo marco conceptual) y sus implicaciones desde la perspectiva de empoderamiento feminista.

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Fuente de los datos: Dialnet